My paintings represent nature’s intimate beauty. I am always aware that I am the stranger, an outside observer capturing the mountain panoramas, oceans, lakes or streams, clouds, landscapes or animals and birds in their native surroundings at one particular moment. Expressing the color, light and personality of the image as I see it is more important to me to bring the emotion of the painting out from the shadows of my imagination than to reproduce an exact reality. I paint to capture that moment of intense observation that caught my interest in the first place.
If I were forced to classify my paintings, I would call them Representational Impressionism. Whatever the image, from wherever it is generated, the observed reality blends in my mind’s eye and flows from the brush without concern for an exact replication of that reality. Yet, a mountain is easily seen as a mountain. The clouds are clearly clouds. Water is fluid or reflecting, and I want the power of the wave or the calm of the still water to reach out to the viewer. But, I do not pretend to paint reality and so, I quietly allow my imagination to bring my paintings into form and substance.
